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Batman R.I.P. Reading Order: The Batman of Zur-En-Arrh Rises

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Following the world-spanning quest of The Resurrection of Ra’s al Ghul, Batman faced a threat in Gotham that didn’t target his body or his family, but his very sanity. Batman R.I.P. is the downfall of Batman. It is the moment where every reference in the Black Casebook (the aliens, the hallucinations, the bizarre transformations) is revealed to be part of a singular, sinister conspiracy.

The “Black Glove,” a secret society of the world’s wealthiest and most depraved individuals led by the mysterious Doctor Hurt, wages a war of “total weaponized trauma” against Bruce Wayne. Their goal? Not to kill Batman, but to prove that he can be broken into something pathetic, insane, and common.


  1. What is this about?
  2. A Short Review
  3. Collecting Batman R.I.P. in 2026
  4. Full Reading Order
  5. The Aftermath
Batman #677

📂 The Core Event: The Black Glove’s Gambit

A culmination of the first part of Grant Morrison’s epic Batman run, leading right into the Final Crisis, Batman R.I.P. is a descent into madness. Dr. Hurt uses a post-hypnotic trigger word (“Zur-En-Arrh”) to shut down Bruce Wayne’s mind. What the Black Glove didn’t count on was that Batman had prepared a “Back-up Personality” for just such an occasion.

Now, the legacy of the Wayne name and the mental survival of Bruce Wayne are on the line. Will Batman be able to find his way back to sanity in time for his fight against Joker and the Black Glove, or will he fall?


Key Story Elements:

  • The Back-up Identity: The introduction of the Batman of Zur-En-Arrh, the garishly colored, hyper-violent version of Batman that exists only if Bruce Wayne’s mind is compromised.
  • The Black Casebook: This was Morrison’s big idea, taking the “silly” stories of the 1950s and 1960s and recontextualizing them as psychological experiments or repressed memories, turning 70 years of history into a singular story.

2. A Short Review: The Deconstruction of Bruce Wayne

Grant Morrison made a career at DC Comics with now classic runs, modernizing old characters. His love for Silver Age comics always added a notable touch of eccentricity, but it was done seriously. In someone else’s hands, the colored madness of Zur-En-Arrh, assisted by Bat-mite, would probably feel like a ludicrous idea. But Batman R.I.P. is a serious tale that grounds the silliness of old times into a narrative that fuels a psychological deconstruction of Bruce Wayne.

It’s about Bruce Wayne and Batman, and what makes them work together. If you take the man away, what is left? When Jezebel Jet visits the Bat-cave and delivers the classic critiques against “Batman” made by people who are not too familiar with the character (why not use the money to do good? Maybe it’s time to grow up?), Morrison set the stage to prove that Batman is not just the toys and the trauma, he is the mission, the dedication to the cause, the perfectionist who prepares for every possible outcome. Bruce Wayne is not a kid playing dress-up because he can’t outgrow his parents’ death. He is one mind dedicated to saving other parents from leaving orphans behind. He is a comic book hero shaped by a long, varied history with one strong, simple, relatable concept at its core.

Batman R.I.P. is a great story because it’s about what Bruce Wayne is made of. It’s not about the artifice, the “money,” or the trauma. It’s about what a great comic book character he is. Pushed to the limits of ridiculousness and gritty violence, Batman just works. As an idea, it can’t be killed.


Batman #678

3. Collecting Batman R.I.P. in 2026

Batman: R.I.P. by Grant Morrison and Tony S. Daniel is a popular storyline that DC Comics reprinted in multiple formats. All collect Batman #676-683.


4. The Complete Reading Order

Unlike larger events, R.I.P. is a tight, focused spiral. The “Tie-ins” in Detective Comics run parallel to the main story, showing what the rest of the Bat-Family was doing while Bruce was missing.

The Prelude: The Black Glove

I published a Complete Grant Morrison Batman Reading Order that will give you more details about those stories.

  • Batman #667–669: The “Club of Heroes” arc, where Batman first encounters the organization.
  • Batman #672–675: The “Space Monster” hallucinations and the first mention of Zur-En-Arrh.

📋Detective Comics #846-850: “Heart of Hush” by Paul Dini and Dustin Nguyen is the return of Tommy “Hush” Elliott, who wants to get his revenge before the Black Glove can take it away from him. It’s often presented as a parallel story to Batman R.I.P., but it’s set just before. It’s optional as it does not add anything to the plot.

The Main Event: Batman R.I.P.

You can just read Batman #676681. This is the main storyline. At the time, DC Comics published tie-ins. You can skip the Nightwing ones as they only reference Bruce’s status. Robin‘s tie-ins complement the main plot, following Tim as he looks for Batman after his disappearance.

  1. DC Universe #0 (three-page prelude): Batman meets Joker for a card reading.
  2. Batman #676: Batman’s obsession with the Black Glove seems to be founded.
  • Nightwing #147-150: Harvey Dent asks Nightwing to protect an old lover of his. Things turn violent quickly. Collected in Nightwing: The Great Leap.
  1. Batman #677: As Bruce’s own sanity is put into question, the Black Glove attacks.
  • Robin #175: Following Batman’s sudden disappearance, Robin and Spoilers are searching for him. Collected in Robin: Search for a Hero.
  1. Batman #678: The Batman of Zur-En-Arrh appears.
  • Robin #176: Robin and Spoiler keep looking for Batman, but the Black Glove comes after them.
  1. Batman #679: Batman makes his way towards his enemies.
  2. Batman #680: Time to face the Joker.
  3. Batman #681: The final confrontation.

🗂️R.I.P. – The Missing Chapters

Less than two years later, Grant Morrison and Tony S. Daniel went back to Batman R.I.P. with the “Missing Chapters” that filled up some of the gaps in the story. This makes reading Final Crisis not obligatory, but if you jump directly into it, keep Batman 702 for later. Check out the Final Crisis Reading Order to learn more about that.

  • Batman #701 – What happened directly after Batman #681, before leading right into the events of Final Crisis #1.
  • Final Crisis
  • Batman #702: This issue is about what happened to Batman during the Crisis.

💡Final Crisis

If you are looking to jump directly into Final Crisis, but only want to read what’s essential to Batman, read the following issues

  • Final Crisis #1-2
  • Batman #682-683 
  • Final Crisis #5-7

Batman #681

5. Last Rites: Where to Go Next?

Bruce Wayne is missing and presumed dead. Published under the banner “Last Rites,” the following stories are about how members of the Bat-family dealt with the immediate aftermath of Batman’s death.

  • Detective Comics #851/Batman #684: Nightwing has to make a trip to Gotham when Two-Face resurfaces, and Batman is not there to take care of him.
  • Detective Comics #852/Batman #685: Epilogue to the “Heart of Hush” storyline.
  • Batman and the Outsiders (vol. 2) #11-14: Batman is missing, and Cassandra has a plan to replace him. Those issues have not been collected in a TPB.
  • Batman #686/Detective Comics #853: The “Whatever Happened to the Caped Crusader?” story, aka “funeral” for Batman.
  • Nightwing (vol. 2) #151-153: Nightwing is dealing with what was left for him to do in New York, but also Ra’s al Ghul, who wants to know if his enemy is really gone. Collected in Nightwing: The Great Leap.
  • Robin #175-183: Gotham City is in chaos without Batman, and a gang war is brewing. Collected in Robin: Search for a Hero.

When everything is said and done, it’s time to decide who will take Batman’s place. It’s the Battle for the Cowl.

📂 The Next Case: Final Crisis

If R.I.P. was the death of the man, the next case is the sacrifice of God. In Final Crisis, we see the final fate of Bruce Wayne as he takes a stand against the end of the world…

[Proceed to Next Case: Final Crisis]

More Files from the Casebook

  • The Ultimate John Byrne Superman Reading Order (1986-1988)

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    John Byrne’s run on Superman wasn’t just limited to one book. It was a “Triangle Era” precursor where stories flowed between Superman, Action Comics, and Adventures of Superman (written by Marv Wolfman, but essential for context).

    Here is the ultimate contextual reading order.

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    Countdown to Final Crisis Reading Order: The Year the Multiverse Fractured

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    Published between 2007 and 2008 by DC Comics, Countdown to Final Crisis was designed as the weekly lead-in to Final Crisis, following in the publishing model established by 52. Running for 51 issues, the series attempted to lay the groundwork for the next major crisis in the DC Universe while following multiple parallel storylines involving cosmic threats, multiversal instability, and several major DC characters.

    Things didn’t turn out as well as with 52. It was a massive editorial blunder. As Grant Morrison explained it at the time: “Final Crisis was partly-written and broken down into rough issue-by-issue plots before Countdown was even conceived, let alone written.” But despite that, the writing led by Paul Dini seems to lack enough details to not contradict what would eventually happen in Final Crisis. As a result, plotlines in Countdown had diverged so much that continuity between the two publishing initiatives became partly nonsensical. Some elements complement Final Crisis and add a greater understanding of the end story, but most do the opposite. Characters who died end up alive (and are killed again), and whole storylines are redone in Final Crisis, and the overall tone doesn’t fit. If you add to that Death of the New Gods by Jim Starlin, to which Countdown began to respond before veering away from it, the confusion became maddening.

    Today, Countdown to Final Crisis is a complicated affair to deal with for readers. If you are a completist, you can’t skip it. Idem if you are trying to follow some secondary characters. Ultimately, this is widely considered to be non-canonical.

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  • The Complete Grant Morrison Batman Reading Order

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    Grant Morrison’s seven-year epic run on Batman does not follow the usual structure. It’s not just a few years on the main Batman comic book series. It’s a three-act saga, each being told in a separate series. And despite some small and bigger events, it feels like a self-contained narrative, for the most part.

    As I already wrote an overview of the full run, I won’t spend time introducing the story and characters again. Let’s note, though, that it’s not required reading, but The Black Casebook is a good way to familiarize yourself with stories Morrison referenced and updated during his run.

    And now, here is the ultimate contextual reading order for Grant Morrison’s Batman comics.

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  • DC Comics History: Following the Dark Road of the Modern Age

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    It’s never easy to pinpoint the exact beginning and end of an era in the history of comics. The conclusion of the Bronze Age and the start of the Modern Age is no exception. It was a transition that occurred as much on the pages of the comics as in the shops, the convergence of multiple publishing efforts and editorial decisions that changed the way comics were sold and read, but also the stories they were allowed to tell.

    Dark, British, Violent, and Paperbacks, it’s 1980s DC Comics

    The key change that occurred in the comic book industry that DC Comics quickly embraced was the emergence of the Direct Market. Consumers were not buying their comics in the newsstands, they started going to comic book shops instead. Also, the old readers were going nowhere and wanted more mature books.

    DC President Jenette Kahn looked for new ways to develop the DC Comics brand with new lines, unexpected licensing deals, and by recruiting emerging talents and allowing them to make their mark. That’s how Frank Miller came and made Ronin, then pushed DC into its dark era with The Dark Knight Returns. This violent story about an old Batman coming back to fight crime in an alternative politicized future was a comic book for adults, an instant success that started to change the creative direction of the company, but also its economic model. It was the book that incited the creation of the DC line of paperbacks, making it available long after its original publication.

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  • Is John Byrne’s Superman Still Good? A 2026 Retrospective Review

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    In 1986, John Byrne undertook the challenging project of reimagining Superman as a relatable contemporary figure. This involved making some controversial decisions. He abandoned the optimism of the Silver Age in favour of a more psychologically grounded interpretation, shaped by the cultural logic of the 1980s. It was criticized by some for being Superman for adults. Four decades later, does it still resonate, or was it purely a product of its time?

    While later interpretations have emphasized Superman as a near-mythical ‘space god’, Byrne’s work is the most notable ‘human-first’ reimagining of the character. It established the modern Lex Luthor and a proactive, credible Lois Lane, but it also led to a Superman who violated his own moral code in a conclusion that remains controversial. Whether regarded as a necessary modernization or a fundamental misreading of the character, Byrne’s influence continues to shape virtually every screen adaptation of Superman.

    Although I have read DC Comics for decades, I was never particularly interested in Superman. To broaden my understanding of the character, I approached this landmark series from a contemporary perspective. So, in this review, we’re looking past the nostalgia.

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  • The Batman Case Files: Introduction to Grant Morrison’s Masterpiece Run (2006-2013)

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    Grant Morrison’s seven-year run on Batman is widely considered one of the most ambitious long-form epics in the history of modern comic books. Running across multiple titles from 2006 to 2013, the story functions as a massive three-act saga that breaks down Bruce Wayne before rebuilding him on a global scale.

    As it is a big read, this may not be the most inviting entry point for new readers. But it’s one influential run that continues to impress and, at times, leave a little confusion. It’s a dense and coherent narrative driven by big ideas, fueled by deep cuts into obscure DC lore.

    This article presents Grant Morrison’s run, outlining the key ideas, plot points, and characters. It serves as a roadmap providing context for my detailed reading order and retrospective review. So, let’s start exploring this rich case file!

    Of course, Morrison was not alone. During his run, he worked with artists Andy Kubert, J.H. Williams III, John Van Fleet, Tony Daniel, Ryan Benjamin, Lee Garbett, Frank Quitely, Philip Tan, Cameron Stewart, A,dy Clarke, Frazer Irving, Scott Kolins, Chris Sprouse, Ryan Sook, Yanick Paquette, George Jeanty, David Finch, Scott Clark, and Chris Burnham.

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